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For me, this is the best of them all, because it perfectly addresses the problem of how to re-jacket a story that so many artists have already tackled in so many different styles, and pulls it off with modernist aplomb ... It tells the tale of a distressed recluse who seeks refuge in an isolated house in the Irish hinterland, only to find that he has attracted the attention of an evil subterranean race; like this incredible jacket doesn’'t tell you that already ...

A deceptively simple and seemingly non-horrific cover, and yet when it’s combined with the strangely menacing title, you won’t need anyone to tell you that here is a tale of rural cannibalism and depravity, which draws heavily on the backwoods mythology that fuelled such onscreen horrors as The Texas Chainsaw Massacre and The Hills Have Eyes. First published in 1908, this superior supernatural chiller went on to influence such later luminaries of the horror and fantasy genres as H. First published in 1954, what initially seemed like a pulp horror dime-novel soon emerged as one of the seminal horror stories of all time in that it kick-started the zombie-plague genre and was one of the first to moot the possibility of a worldwide Apocalypse caused by germ warfare.

DON'T READ ALONE was published in 2013, and features, among other things, an embittered writer who accidentally invokes the spirit of the Green Man, a cop whose determination to locate a missing child takes him into a nightmarish underground complex, and a bunch of marooned holiday-makers who are menaced by an ancient, oceanic beast ...

Since its first publication by Archibald Constable in 1897, Dracula has had every kind of cover conceivable, from the garish to the subtle, from the saucy to the romantic.

This original classic does the job perfectly, because though the balloon is there and even though we know it was the clown lurking in the sewer on the day young Georgie died, it wasn’t one of these new-fangled killer clowns. Another book on this list which I haven’t yet finished, but which simply screams to be read thanks to its unique and unsettling cover.

Jon Padgett’s much-lauded debut collection presents us with a series of interlinked stories which most reviewers have praised for invoking fear through a consistent atmosphere of the weird and uncanny rather than gross-out horror. American authors, as a whole, tend to utilise Halloween in their writing more than their British counterparts, and this has led to some startlingly atmospheric, autumnal US covers over the years, but this one, and this book, encapsulate the aura more than most.

In this installment, Braunbeck gives his own unique take on the legend of the golem, as the jacket clearly shows ...

The original simple-and-yet-so-effective Doubleday cover to the book that emptied seaside bathing areas across the Northern Hemisphere during one of the hottest summers on record.

However, throughout the history of published fiction there have occasionally been book-covers so jaw-dropping that no serious person could ever do anything other than take a big, awe-stricken step backwards on first seeing them. Familiar Lovecraft territory from the start as Ambrose Dewart returns to his ancient ancestral pile in the heart of rural Massachusetts, only to uncover horrific revelations about his family’s past and their connections to ancient evil.

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